One thing was for sure: Elise couldn't be Robert's void wife. On the day the void was scheduled to hit San Francisco, she hid from him in the ruin of the Sutro Baths. She gazed out at the Pacific while behind her, the void consumed Oakland. The void had appeared six months ago in a slender belt around the globe near the 90th meridian, slicing through Detroit and New Orleans, Bangkok and the Kirov Islands of Russia. Since then it had expanded in both directions on both sides of the planet at the rate of seventy miles a day, like two immense pairs of lids drawing over the eye of the earth.
Arriving back in Los Angeles when the orange trees were in flowery bloom, their fragrance nearly knocked me over, flooding me with childhood memories. The poet Mahmoud Darwish said that, “cities are smells.” Well, I can tell you, Los Angeles is the perfume of orange blossoms, jasmine, and the salty sea.
The spindly stalks creep out from the nexus of the composition like arachnid extremities. The pronounced compression of space pushes the roughly hewn roots into the forefront for the beholder’s contemplation. The sharp points and scraggly edges of the root system prevent easy entrance into the scene. Oller creates a kind of coconut Noli me tangere: we may look, but not touch.