I have a worm / beneath my hair — / a future worm, / a nerve / from the eternal / present.

The people whom Arbus photographed were probably separated from their families when they were born. Their mothers and fathers were most likely told that they would be too much of a burden to raise. However, none of this is really what we are supposed to be thinking about when viewing the Untitled series. We are told to think about the compositional choices, the lighting, the true talent of Arbus who discovered these subjects.

One night, my father will come home late with a rifle in his hands / yelling “I’m here.” Everyone will laugh. / Every corner of the ocean is the same.

The color yellow and the red heart on the box remind me parts / of childhood are nice not / embarrassing. Does that include eating / cheerios with fingers?

And if they’re missing / in inaction, forgive them / Their useless pearls, nouns

While waiting for the ring I was waiting for his call. And while waiting for his call I was waiting for my finger to heal; the doctor had taken the tip and it had not healed, and then I was putting medicine on it twice a day, covering it with a bandage I had to wait hours to take off, each time.

And did we come to some conclusion about who set fire to the Master’s House / The autumn-petal of it, swinging flame on the black bough of the sky?

The return trip has a map already. Surviving in sugar waters, in rhythms of algae. / The earth in the hollow is breaking—I knew it instinctively, and in my mind, insects were swarming, traversing the city of your map.

The story the fiction writer reads is fiction. His wife has never cheated. He has never run over a dog.

When I first saw the bright gold rip of gas flares against the Corpus night sky from the passenger seat of some guy’s green Datsun—all that oil just rushing incinerated into the air—I said, Damn, don’t they know about global warming?

That empty matchbook winter was a new trudge / through short-light afternoons with time to kill.

Rationalizing didn’t help. No matter how much he told himself that this was a different woman, that it couldn’t be the same widow, he couldn’t escape the gut certainty that she was.

I was twelve, with little idea of the drying sediment, the vanishing well, under my feet, though as far as I could tell West Texas was desert. A shrug in the middle of forgotten. At the time, I feared one thing only: Dad would die because of me.

Here it was laid out: we’d tricked with Clint a few times over the years. Sure, he was a geek, but he possessed this obscure magnetism. He was so indelibly himself, we allowed ourselves, when with him, to believe that the established rules of conduct, constraining all men of our tribe, could be ignored.

It means to want so badly. / How close win is to want is the distance / between his fast ball & her face.

How much muscle one carries is the largest determinant of bodybuilding credibility, regardless of the degree of fairness with which it’s constructed, and by this metric, he was the one, not me, with the authority to dispense advice.

Dragonflies are like Waze. They predict. They don’t chase after mosquitoes, they intercept them, which means they have to calculate the mosquito’s distance, speed, and trajectory. Dragonflies perform these calculations in milliseconds, far faster than Waze, which always takes agonizing seconds to load as it computes the route, average speed of drivers, and quagmires that might await.

When Toni and Lola have a good run with the oilmen, we all get to go up to Dallas for steaks and Neiman Marcus and drink thirty dollar cocktails made with real gold. Tina finished paying her forty-eight blowjobs for the red mustang convertible and it's hers now, fair and square, and Tina and Lola in front and Toni and me in back and there's no need for a hotel because we're not ever going to sleep again. Sleeping is for people who haven't been paid.

The house had a pointed, skinny frame, like a too-tall man. It was a pus-yellow clapboard, perverse against the snow. “Perfect,” Celia said...

Second books can be as different from their predecessors as Plath’s fiery originality of Ariel is distinct from the coolly conventional poise of The Colossus...

I let him stand there for a few minutes, waving his arms while he rambled on about the wonderful days of our youth. When he finally fell silent, I told him that I had no idea who he was.